Friday, March 17, 2006

A nearly compulsive collecting of unusual items is commonplace in the technical community. In my case it is obscure and forgotten progressive rock music.

If you aren't familiar with the term progressive rock, think back to the early to mid 1970s when theatric (often quite over the top) bands like Genesis, Emerson Lake and Palmer, Yes, and King Crimson filled concert halls. Complex compositions, side long suites, unusual instrumentation including flute, violin, and the unbiquitous Mellotron ruled the day.

As disco reigned and the technically sophisticated art rock gave way to punk, many of us in English speaking countries thought the prog was dead. Fortunately, quite the opposite. Not only was it migrating all over the world, it was also evolving into dozens of new musical classifications, some of which are quite far removed from the basic symphonic rock bands of those early days.

In the early 1990s, email discussion lists were forming, eventually being replaced by Usenet news groups such as and it's successor While it may never reach the widespread (commercial) popularity of the 1970s, the Internet has helped connect collectors and artists. Without major label support, there is certainly a renewed interest in this musical style.

As with many Usenet groups, spammers and flamewars have driven many of the contributors away. Topic specific discussion lists have popped up, many of them taking advantage of the "free" hosting by Yahoo.

Without hesitation, the finest general discussion group about progressive rock is the Progressive Music Society. At the time of this posting, there were about 600 members, including artists, collectors, labels, and distributors. Newcomers as well as old-timers (that we will affectionately call prog-o-saurs) discuss all sorts of music. There is a weekly chat as well as some other fun activities (guess the album cover, etc).

If your tastes run to the avant garde then consider the avant-progressive discussion list, hosted by Cuneiform Records and Wayside Music's Steve Feigenbaum. This is a very active community including artists, labels, distributors, and collectors. While there is an occasional mainstream prog conversation, most of the discussion is about the more challenging musical genres, such as Rock in Opposition,
Post Rock, Zeuhl, Chamber, and other things that may be hard to classify.

Progressive Ears is a large community, and has essentially replaced as the "large" prog board.

For more information on the amazing amount of music that we can call progressive, visit the Gnosis Project. I'll post more about this fascinating project soon.

For an encyclopedic approach, the Gibraltar Encyclopedia of Progressive Rock (GEPR) is one of the oldest, if not the oldest, network compendiums on this subject.

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